{"id":38275,"date":"2026-09-23T10:00:47","date_gmt":"2026-09-23T08:00:47","guid":{"rendered":"https:\/\/jazzmi.it\/?post_type=mec-events&#038;p=38275"},"modified":"2026-09-18T16:19:39","modified_gmt":"2026-09-18T14:19:39","slug":"antigua-duo-tributo-a-jim-hall","status":"publish","type":"mec-events","link":"https:\/\/jazzmi.it\/en\/events\/antigua-duo-tributo-a-jim-hall\/","title":{"rendered":"Antigua Duo, tributo a Jim Hall"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"38275\" class=\"elementor elementor-38275 elementor-38274\" data-elementor-post-type=\"mec-events\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-30882a93 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"30882a93\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-custom\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4f3a9553\" data-id=\"4f3a9553\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4241225 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"4241225\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h5><span style=\"font-weight: 400;\">The figure of Jim Hall certainly earns its place alongside the word &#8220;revolutionary.&#8221; The guitarist contributed to weaving non-jazz materials into the tradition, offering fresh perspectives not only on how to approach his instrument, but also on the role it can play in music and jazz as a whole. A central pillar of his playing lies in free interaction among musicians\u2014connected to, yet unconfined by, the rich language of the jazz tradition. To achieve this, Hall frequently favored the duo format, an intimate and chamber-like setting where the exploration of interplay takes center stage.<\/span><\/h5><p>\u00a0<\/p><h5><b>Line up<\/b><\/h5><h5><span style=\"font-weight: 400;\">Clara Miraglia: guitar<\/span><\/h5><h5><span style=\"font-weight: 400;\">Margherita Carbonell: double bass<\/span><\/h5><h5>\u00a0<\/h5><h5><strong>Free admission <\/strong><\/h5><h5>\u00a0<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ae21add elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ae21add\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-cded75a\" data-id=\"cded75a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6a79e0d elementor-widget elementor-widget-spacer\" data-id=\"6a79e0d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The figure of Jim Hall certainly earns its place alongside the word &#8220;revolutionary.&#8221; The guitarist contributed to weaving non-jazz materials into the tradition, offering fresh perspectives not only on how to approach his instrument, but also on the role it can play in music and jazz as a whole. A central pillar of his playing [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":38389,"template":"elementor_header_footer","tags":[60],"mec_category":[69],"class_list":["post-38275","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","tag-night-day-en","mec_category-night-day-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Antigua Duo, tributo a Jim Hall - JAZZMI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jazzmi.it\/events\/antigua-duo-tributo-a-jim-hall\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antigua Duo, tributo a Jim Hall - JAZZMI\" \/>\n<meta property=\"og:description\" content=\"The figure of Jim Hall certainly earns its place alongside the word &#8220;revolutionary.&#8221; The guitarist contributed to weaving non-jazz materials into the tradition, offering fresh perspectives not only on how to approach his instrument, but also on the role it can play in music and jazz as a whole. 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