{"id":37742,"date":"2026-09-23T12:00:47","date_gmt":"2026-09-23T10:00:47","guid":{"rendered":"https:\/\/jazzmi.it\/?post_type=mec-events&p=37742"},"modified":"2026-09-22T15:56:58","modified_gmt":"2026-09-22T13:56:58","slug":"toccare-il-suono-impronte-sonore","status":"publish","type":"mec-events","link":"https:\/\/jazzmi.it\/en\/events\/toccare-il-suono-impronte-sonore\/","title":{"rendered":"“TOCCARE IL SUONO – IMPRONTE SONORE"},"content":{"rendered":"\t\t
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The comparison between music and painting is one with deep historical roots. In De Pictura<\/i>, Leonardo da Vinci asserts without hesitation the superiority of the latter over the former. Things fared better at the beginning of the 20th century, when Klee and Kandinsky demonstrated that a secret affinity of signs and meanings flows between music and pictorial imagery.<\/p>

And what about Andrea Strizzi? His sound prints open up an exciting new avenue of research and expression. In his works, the two languages blend and unify: arms and hands play, fingers sculpt. It is a hymn to the human body, whose nerves convey sonic or tactile signs, giving life to a new conceptual and performative experience\u2014a sort of “concert of forms in the making.” While it may sound like a science fiction title, it is the product of a young artist\u2019s imagination, one who has found in material form the source of an extraordinarily original creativity.<\/p>

Title: <\/strong>“Toccare il suono – Impronte sonore<\/em>” – sculture audiotattili di Andrea Strizzi<\/p>

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Dates<\/em><\/strong>: da luned\u00ec 26 ottobre a domenica 1 novembre<\/em><\/p>

Opening<\/em><\/strong>: luned\u00ec 26 ottobre ore 18.00 (con chiusura alle ore 20.00).<\/em><\/p>

Opening times<\/em><\/strong>: da marted\u00ec a domenica: 9:00 \u2013 13:00 e 14:00 \u2013 17:00<\/em><\/p>

Place<\/em><\/strong>: presso la Sala Trani della sede UICI di Milano in via Mozart 16<\/em><\/p>

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Entry requirements<\/em><\/strong>: Ingresso libero. Entrando nella sede dell’UICI ci si trova di fronte alla Sala Trani. All’interno della sala espositiva le installazioni saranno fornite di lettori mp3 con relative cuffie<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The comparison between music and painting is one with deep historical roots. In De Pictura, Leonardo da Vinci asserts without hesitation the superiority of the latter over the former. 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